You can custom-draw a velocity curve by clicking and dragging with the mouse. The Velocity Curve control can also be used to compensate for a MIDI keyboard with an undesirably hard or soft action. Linear allows the velocities to pass through unaffected. Bias Forte makes it easier to play louder dynamics, and Bias Piano makes it easier to play soft dynamics. The Velocity Curve control can be used to dial in exactly the dynamic you are looking for. Higher values result in more round robins and more tonal variation. A value of zero only plays one round robin per dynamic level. A value of 6 results in up to +/- a tritone of borrowing providing up to an additional 12 round robins per note. The RR Borrowing knob employs surrounding notes as additional round robins. A low value reduces the volume difference between the softest and loudest dynamics, and a high value increases the difference. This knob doesn't impact the velocities, but instead changes the actual volume of each note. The Dynamic Range knob acts a bit like a MIDI-controlled compressor.
The Enable fff Layer button enables and disables the highest recorded dynamic. **Disabling this feature moderately reduces CPU usage.** This effect is only active when the sustain pedal is down and can be turned off by pressing the power button. The Soundboard feature emulates the sympathetic resonances of the soundboard and other strings. When set to intimate, the velocities are biased towards the lower dynamics, with a low dynamic range (see Dynamic Range Knob below). This can be used to change the play style from intimate to aggressive and everything in-between. The Character knob acts as a macro knob, controlling multiple parameters at once. **Turning this feature to MIDI slightly reduces CPU usage.** CinePiano effectively models this behavior for a much more lifelike performance. When you play a note on a real grand piano with the sustain pedal down, quickly releasing and depressing the sustain pedal does not allow the dampers enough time to stop the strings from vibrating completely. We added a new feature called Pedal Behavior to CinePiano.
#Convert digital photo to cinescope slide format mod
The slider is automatically mapped to the Mod Wheel, giving instant control of the relative depth of CinePiano.
When you activate Perspective Mode, a slider appears that gives a smooth crossfade between the microphone perspectives. It is a very specific mix and thus the only available mix in this patch.ĬinePiano, like CineHarps, includes a new Perspective Mode feature that allows for changes through microphone positions. The Rock Studio Grand relies more heavily on mixing techniques to achieve a brighter, punchy, edgy sound with a slight distortion on the attacks to cut through a heavy mix. It is a very specific mix and thus the only available mix in this patch. This mix is made from a completely unique set of microphones and mixing techniques. The Cinematic mix is a very intimate and muted sound, perfect for cinematic textures. The Classical mix is a slightly more distant mix employing a different combination of microphones and designed for concert realism.
The separate close, room, and surround microphone mixes are available on this patch. This is a standard representation of the grand piano on the scoring stage employing the M49s and the room array. The four unique characters are derived from these various microphones and the mixing process that followed." In addition to the standard room array, Adam placed several other close microphone pairs to provide options for other characters. Also as on PIB, I placed a pair of small capsule condenser microphones near the tail of the piano. The M49s were powered by a pair of Neve 1073 pre amps to imitate the Neve 8078 console that recorded PIB. "The recording for Piano In Blue worked so well, I returned to the vintage Neumann M49 microphone pair and its position that I used on PIB. Our goal was to record a detailed piano library at the same scoring stage as our flagship CineSymphony libraries for seamless integration and to provide four distinct characters of the piano through a variety of microphone and mixing techniques.
How do we follow an act like Piano In Blue? We record a stunning 9' grand piano at the MGM Scoring Stage at Sony Pictures Studios in Los Angeles.
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